{"id":358,"date":"2019-04-19T12:20:51","date_gmt":"2019-04-19T10:20:51","guid":{"rendered":"https:\/\/otulinablog.pl\/?p=358"},"modified":"2019-04-19T12:20:51","modified_gmt":"2019-04-19T10:20:51","slug":"ecce-homo","status":"publish","type":"post","link":"https:\/\/otulinaosztuce.pl\/?p=358","title":{"rendered":"Ecce Homo"},"content":{"rendered":"\n<p class=\"has-drop-cap has-medium-font-size\">Nadchodzi Wielkanoc. Oto &#8222;Ecce Homo&#8221; Maartena van Heemskercka, tryptyk zam\u00f3wiony przez ma\u0142\u017ce\u0144stwo Drenckwaert z Dortrechtu w 1644. Mia\u0142 im s\u0142u\u017cy\u0107 jako kommemoracja, czyli upami\u0119tnienie ich pobo\u017cno\u015bci, a tak\u017ce jako \u015brodek do uzyskania zbawienia. M\u0105\u017c i \u017cona, umieszczeni po obu stronach g\u0142\u00f3wnej kwatery, modl\u0105 si\u0119 w obliczu sceny z Pasji. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><a href=\"http:\/\/cyfrowe.mnw.art.pl\/dmuseion\/docmetadata?id=11323&amp;show_nav=true&amp;full_screen=true#full_screen\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"780\" src=\"https:\/\/otulinablog.pl\/wp-content\/uploads\/2019\/04\/h1-1024x780.jpg\" alt=\"\" class=\"wp-image-360\" srcset=\"https:\/\/otulinaosztuce.pl\/wp-content\/uploads\/2019\/04\/h1-1024x780.jpg 1024w, https:\/\/otulinaosztuce.pl\/wp-content\/uploads\/2019\/04\/h1-300x229.jpg 300w, https:\/\/otulinaosztuce.pl\/wp-content\/uploads\/2019\/04\/h1-768x585.jpg 768w, https:\/\/otulinaosztuce.pl\/wp-content\/uploads\/2019\/04\/h1-850x648.jpg 850w, https:\/\/otulinaosztuce.pl\/wp-content\/uploads\/2019\/04\/h1.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><figcaption><strong>Maarten van Heemskerck, <\/strong><em><strong>Ecce homo<\/strong><\/em><strong>, 1644, Muzeum Narodowe w Warszawie<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"has-medium-font-size\">W centrum rozgrywa si\u0119 epizod z Wielkiego Pi\u0105tku &#8211; Pi\u0142at prezentuje zebranej gawiedzi um\u0119czonego Chrystusa, kt\u00f3ry na g\u0142owie ma koron\u0119 cierniow\u0105 i ga\u0142\u0105zk\u0119 trzyman\u0105 niczym ber\u0142o. Prze\u015bmiewczy znak, \u017ce jest &#8222;kr\u00f3lem \u017cydowskim&#8221;. Prefekt Judei pozostawia w r\u0119kach t\u0142umu decyzj\u0119  o tym, czy \u017cycie Jezusa ma si\u0119 zako\u0144czy\u0107 w\u0142a\u015bnie tego dnia. Jednak wyrok jest z g\u00f3ry przes\u0105dzony. M\u0119\u017cczyzna stoj\u0105cy po\u015brodku w tle, unosi r\u0119k\u0119 do biczowania, zebrani poni\u017cej podium wykrzywiaj\u0105 twarze w szydz\u0105cych u\u015bmiechach. <\/p>\n\n\n\n<figure class=\"wp-block-image\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"780\" src=\"https:\/\/otulinablog.pl\/wp-content\/uploads\/2019\/04\/h3-1024x780.jpg\" alt=\"\" class=\"wp-image-361\" srcset=\"https:\/\/otulinaosztuce.pl\/wp-content\/uploads\/2019\/04\/h3-1024x780.jpg 1024w, https:\/\/otulinaosztuce.pl\/wp-content\/uploads\/2019\/04\/h3-300x229.jpg 300w, https:\/\/otulinaosztuce.pl\/wp-content\/uploads\/2019\/04\/h3-768x585.jpg 768w, https:\/\/otulinaosztuce.pl\/wp-content\/uploads\/2019\/04\/h3-850x648.jpg 850w, https:\/\/otulinaosztuce.pl\/wp-content\/uploads\/2019\/04\/h3.jpg 1080w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption><strong>Zestawienie fragmentu obrazu <\/strong><em><strong>Ecce homo<\/strong><\/em><strong>: lewa &#8211; orygina\u0142, prawa: symulacja pierwotnej kolorystyki (oprac. J.P. Getty Museum)<\/strong><\/figcaption><\/figure>\n\n\n\n<p class=\"has-medium-font-size\">Scena jest pe\u0142na dramatyzmu i napi\u0119cia. Jednak gdy przyjrzycie si\u0119 uwa\u017cnie cia\u0142u Chrystusa, nie znajdziecie na nim \u017cadnych \u015blad\u00f3w krwi, cho\u0107 artysta je namalowa\u0142. U\u017cyta do oddania krwi farba zawiera\u0142a niestabilne barwniki, kt\u00f3re z czasem utraci\u0142y intensywno\u015b\u0107, wr\u0119cz znikn\u0119\u0142y. Jej obfite krople ukazane wok\u00f3\u0142 st\u00f3p Jezusa s\u0105 teraz prze\u017aroczyste i wygl\u0105daj\u0105 jak kamyki. Podobna reakcja zasz\u0142a w kolorze b\u0142\u0119kitnej szaty Chrystusa, kt\u00f3ra dzi\u015b jest zaledwie szarawa. U\u017cyta jako pigment smalta by\u0142a wykonana z utartego, kobaltowego szk\u0142a &#8211; intensywnie niebieskiego na pocz\u0105tku, jednak szybko bledn\u0105cego w czasie.  <\/p>\n<p>Views: 3<\/p>","protected":false},"excerpt":{"rendered":"<p>Nadchodzi Wielkanoc. Oto &#8222;Ecce Homo&#8221; Maartena van Heemskercka, tryptyk zam\u00f3wiony przez ma\u0142\u017ce\u0144stwo Drenckwaert z Dortrechtu w 1644. Mia\u0142 im s\u0142u\u017cy\u0107 jako kommemoracja, czyli upami\u0119tnienie ich pobo\u017cno\u015bci, a tak\u017ce jako \u015brodek do uzyskania zbawienia. M\u0105\u017c i \u017cona, umieszczeni po obu stronach g\u0142\u00f3wnej kwatery, modl\u0105 si\u0119 w obliczu sceny z Pasji. W centrum rozgrywa si\u0119 epizod z&#8230;<\/p>\n","protected":false},"author":1,"featured_media":359,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[80,105],"class_list":["post-358","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bez-kategorii","tag-kanon-historii-sztuki","tag-muzeum-narodowe-w-warszawie"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Ecce Homo - otulina o sztuce<\/title>\n<meta name=\"description\" content=\"Oto &quot;Ecce Homo&quot; Maartena van Heemskercka, tryptyk zam\u00f3wiony przez ma\u0142\u017ce\u0144stwo Drenckwaert z Dortrechtu w 1644.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/otulinaosztuce.pl\/?p=358\" \/>\n<meta property=\"og:locale\" content=\"pl_PL\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ecce Homo - 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