Co widzicie, gdy patrzycie na ten obraz? Ja najpierw widz\u0119 bezmiar b\u0142\u0119kitu i uciekaj\u0105ce wraz z perspektyw\u0105 t\u0142o, a zaraz potem wyrasta przede mn\u0105 monumentalna posta\u0107 m\u0142odego m\u0119\u017cczyzny. Przygl\u0105dam mu si\u0119 z uwag\u0105 – z pewno\u015bci\u0105 odczuwa b\u00f3l, gdy\u017c w jego ciele tkwi\u0105 strza\u0142y spod kt\u00f3rych wyp\u0142ywaj\u0105 stru\u017cki krwi. Jednak nic w jego postawie ani w wyrazie twarzy nie zdradza cierpienia. M\u0142odzieniec wznosi oczy ku niebu, nawet nie pr\u00f3buje uwolni\u0107 si\u0119 z wi\u0119z\u00f3w. Wedle legendy \u015bwi\u0119ty Sebastian zosta\u0142 skazany na \u015bmier\u0107 przez rozstrzelanie. Tu widzimy go jeszcze w pe\u0142ni si\u0142. Czy to znaczy, \u017ce stoimy w miejscu plutonu \u0142ucznik\u00f3w, kt\u00f3rzy na moment przerwali ostrza\u0142? Ca\u0142a scena wydaje si\u0119 zatopiona w bezruchu, zupe\u0142nie jakby obrazowa\u0142a leniwe s\u0142oneczne popo\u0142udnie. Postaci w tle praktycznie nie zwracaj\u0105 uwagi na egzekucj\u0119. M\u0119\u017cczyzna po lewej \u015bpi korzystaj\u0105c z ciep\u0142ego dnia, po prawej, pozostali, oddaj\u0105 si\u0119 rozmowie lub spaceruj\u0105. Jedyne osoby, kt\u00f3re zdaj\u0105 si\u0119 zauwa\u017ca\u0107 posta\u0107 \u015bw. Sebastiana to kobiety na tarasie, zapewne kurtyzany, szukaj\u0105ce ucieczki od nudy samotno\u015bci i o\u015bwietlona blaskiem s\u0142o\u0144ca m\u0142oda matka tul\u0105ca dziecko. Jednak r\u00f3wnie\u017c \u017cadna z nich nie zdradza zaanga\u017cowania w wydarzenia z pierwszego planu. Tak jakby traktowa\u0142y j\u0105 jako konieczn\u0105 i przyjmowa\u0142y ca\u0142\u0105 jej nieuchronno\u015b\u0107. Dla mnie jedyn\u0105 postaci\u0105, kt\u00f3ra ucieka wzrokiem od okrucie\u0144stwa egzekucji jest to ma\u0142e dziecko tul\u0105ce si\u0119 do kobiety w b\u0142\u0119kicie.<\/p>\n\n\n\n
Antonello da Messina, \u015awi\u0119ty Sebastian, ok. 1476-79, Gem\u00e4ldegalerie Alte Meister, Drezno <\/figcaption><\/figure><\/div>\n\n\n\n
Antonello da Messina pochodzi\u0142 z Sycylii, kszta\u0142ci\u0142 si\u0119 zapewne w Neapolu, jednak najwi\u0119kszy wp\u0142yw wywar\u0142 na malarstwo Wenecji, gdzie przebywa\u0142 ponad rok od 1475. Ten obraz powsta\u0142 na zam\u00f3wienie tamtejszego bractwa \u015bwi\u0119tego Rocha (scuola di San Rocco). Przegl\u0105d tw\u00f3rczo\u015bci Messiny mo\u017cna obejrze\u0107 na wystawie czasowej w Palazzo Reale w Mediolanie do 2 czerwca. <\/p>\n\n\n\n
Co widzicie, gdy patrzycie na ten obraz? Ja najpierw widz\u0119 bezmiar b\u0142\u0119kitu i uciekaj\u0105ce wraz z perspektyw\u0105 t\u0142o, a zaraz potem wyrasta przede mn\u0105 monumentalna posta\u0107 m\u0142odego m\u0119\u017cczyzny. Przygl\u0105dam mu si\u0119 z uwag\u0105 – z pewno\u015bci\u0105 odczuwa b\u00f3l, gdy\u017c w jego ciele tkwi\u0105 strza\u0142y spod kt\u00f3rych wyp\u0142ywaj\u0105 stru\u017cki krwi. Jednak nic w jego postawie ani…<\/p>\n","protected":false},"author":1,"featured_media":276,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[13],"tags":[80],"class_list":["post-275","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bez-kategorii","tag-kanon-historii-sztuki"],"yoast_head":"\n
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<\/figure><\/div>\n